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When we booked our airfare, the best flight schedule for the price we were looking at had us flying into and out of Palermo. This meant that after the bike tour ended, we needed to make our way back across the island. We have had good experiences with trains elsewhere in Italy, so naturally that was what we decided to do here. Later, after we had already purchased our train tickets, we learned that a bus across the island is probably more efficient.

After we finished our second walking tour in Siracusa, we made our way to the train station to catch our first train to Catania. This train left Siracusa on time, but was slightly delayed enroute, but we still had 15 minutes to catch our train from Catania to Palermo. Once we were on the train to Palermo, though, it became clear why the bus is a better option. For long stretches across the center of the island, this route only has a single track, so trains have to take turns going opposite directions. We spent a lot of time sitting at small stations along the way, waiting for the train going the other way to go by before we could continue. By the time we reached Palermo, we were more than an hour behind schedule.

The good news is that the Italian train system provides compensation for such delays, specifically 25% of your ticket price is refunded for delays of 60-120 minutes. After we returned home, we filled out the online application, and our compensation was quickly approved for direct deposit into our bank account.

After spending the night in a rental room in Palermo, we took another train out to the airport. When we checked in for our flights home, we discovered that we had been upgraded to business class for the first leg of our return trip. That was nice, though I would have appreciated it more on the longer leg from Istanbul back to Washington, DC. In any event, our flights home were uneventful, though there was a little delay on the second leg, so we were about an hour late getting home, which wasn't a big deal.
expedition_retirement: (Bicycle)
On our last day of riding, we stopped for lunch at another small farm, where we had an opportunity to learn about honey production. We walked out into the orchard to the hives, where they showed us their bees and explained how the bees make honey and how they harvest it. Much of this information was familiar to us after our honey farm experience in Greece earlier this year, but it still remains fascinating to think that these insects can make such a remarkable product.
expedition_retirement: (Bicycle)
Our mid-day break on the fifth day of riding was a Masseria near Palazzolo Acreide. This lovely compound is believed to have been the estate of a Jewish farmer who hid his faith after the Spanish expelled the Muslims and Jews in 1492. The building that is now used as the reception area is believed to have been a private synagogue or mikveh. Regardless of its history, it is a lovely structure.
Before we settled in for lunch, we went truffle hunting in the woods on the estate. Our truffle hunting dog, Siri, was eager to work, and as we entered the woods, she began to roam around, sniffing for buried truffles. Unfortunately, we arrived very late in the truffle season, and we were unsuccessful in finding any truffles. Still, it was a pleasant day for a walk in the woods.

The art of truffle hunting in Italy is listed as a UNESCO Intangible Cultural Heritage, our fourth such element for the trip.

expedition_retirement: (Bicycle)
Also on our fourth day of riding, on our way to Capo Passero, we made a stop to visit the Villa Romana del Tellaro. This is another villa from the Roman period that has been at least partially excavated, and has mosaics on display. These mosaics have been preserved and mounted on concrete bases, rather than left in situ, possibly to mitigate damage caused by treasure hunters who tried to remove them when the villa was discovered in the 1970s.

The number of mosaics here is extremely limited. It isn't clear if this is because the others have been destroyed over time, or if there may be more that have not yet been excavated. But either way, after visiting Villa Romana del Casale, this site was distinctly underwhelming. Even so, the few mosaics they do have are quite interesting, both because the what is depicted and because of the level of detail and realism included in these depictions. There is a partially damaged mosaic depicting the ransom of Hector's body, from Homer's Iliad. Another detailed mosaic shows a hunting scene that includes incredible realistic details, such as reflections in the water ripples around the legs of the men and animals crossing a river.
Our visit here was brief because it is a small site, but it was still worth the effort to stop and visit, if only to help put the majesty of Villa Romana del Casale into perspective. 
expedition_retirement: (Bicycle)
The Trinacria is a primary symbol of Sicily and is featured on the Sicilian flag. This symbol features the winged head of Medusa (a talisman to ward off evil and an acknowledgement of the importance of Greek culture on the history of the island) with ears of wheat radiating from the head (to symbolize the rich agricultural heritage of the island) and three bent legs. These legs represent the three capes that define the roughly triangular shape of the island.
We would only visit one of those corners during our visit to the island. Capo Passero marks the southeaster corner of the island, and has become more of an island than a true cape because the sand bar that used to connect it to the shore has eroded away. This was the end of our bike ride on our fourth day of the VBT bike tour.

As we approached, we could see the ruins of the Spanish fort out on the cape, which became clearer as we approached. When we reached the end of our ride, we had time to take in the views out to the Ionian Sea to the east and the Mediterranean Sea to the south. We took the opportunity to dip our feet into the water, but the surf was too rough for us to be comfortable swimming. In addition to the fort out on the cape, there was also a monument to the Virgin erected in the water just off the shore.
It was a pretty place, but not particularly significant except for the accident of geography that made this the southern most place in Sicily.
expedition_retirement: (European Union)
Noto was the last of the cities that are part of the UNESCO World Heritage Site that we visited. The town was lively in the late afternoon as we arrived, and we later learned that they were celebrating a Baroque festival. As we explored, we found a number of lovely churches, including the Cathedral, with a somewhat understated Baroque facade and the cleaner Neo-Classical lines on the interior, with bright frescos on the ceiling.

But as the sun set and it grew darker the town really came to life. The play of the lights on the city was stunning and it became a magical place at night.
And it was after the sun set that the Baroque festival became apparent. We found a group of people dressed in Baroque period costumes, who later paraded up and down the main pedestrian street of the town before the section in front of the Cathedral was closed off for a dance recital (with the steps up to the Cathedral serving as seating for the audience). The period costumes, in this setting, made it a little easier to picture what these streets might have looked like in the 18th century, after the city recovered from the 1693 earthquake.
expedition_retirement: (European Union)
Like the other Baroque towns and cities of the Val di Noto, Scicli was devastated by the 1693 earthquake and was rebuilt. And, like the others, the town sits in and on the sides of a steep valley or canyon, with many of the homes on the hillsides taking advantage of quarry excavations (or "caves"). But Scicli is smaller than either Ragusa or Modica, and it was easy to see most of the significant buildings in a relatively short walk through the center of the town.

Our first glimpse of the town was from above, as our bus began its descent into town from the plateau above the canyon. We would later enjoy this view as we rode our bikes up and out of town and then back into town on the second day of the tour.
There were a number of lovely Baroque churches in the town, although most of them were not open when we had free time to explore. But the town was compact and pleasant, with narrow alleys, and charming facades.


expedition_retirement: (Bicycle)
One of the things I like the most about doing bicycle tours is that you get to immerse yourself in a place. You don't just see the landscape, you feel it, you hear it, you smell it. Riding in the Val di Noto gave us all of that as we rode the rolling limestone hills and canyons of this corner of Sicily.

Interestingly, our tour officially began in Taormina, where we assembled the first morning and were immediately escorted to a bus that drove us three hours south to the town of Scicli (another of the Baroque towns listed in the UNESCO World Heritage Site for the Val di Noto). After we checked into our hotel and had a chance to walk around a little bit and find lunch, we began our bike tour with our warm up ride. At about 8.4 miles (out and back), this was the shortest ride of the week, designed to allow us to make sure our bikes were properly adjusted and that everything was working.
Abandoned brick factory
From there, we rode five more days, with distances ranging from 24 miles to 40 miles per day. Some days we started and ended at the same point, but on other days we rode one way and and were transported to or from the ride on a bus. Our routes were mostly on back roads, with little traffic, and we spent much of our time riding through pretty countryside, on narrow roads lined with dry stone constructed walls. There were farms, olive, almond, and carob groves, and vineyards.
Beginning on the second day, we had a break between the morning ride and the afternoon ride. Some of these included visits to farms where we had lunch included, along with other activities. Others were in towns, where we had time to explore and find food for lunch on our own. We had time at a beach to swim, and time to explore the shops aroud the harbor elsewhere.
Our first hotel was in the heart of Scicli, but after that we spent our nights in Masserias. The first of these was near Noto (yet another of the Baroque cities of the UNESCO World Heritage Site), and one of the evenings we stayed there we were rode a bus into Noto for the evening so we could see the city. The other Masseria was pretty isolated, and we spent our evenings on the property, enjoying dinners served outdoors in the courtyard.
It was a lovely trip, and the immersion into the countryside and the slower pace was a perfect compliment to the extensive travel we had experienced on the first part of our visit. Together, the two tours proved to be an excellent way to experience much of what Sicily has to offer.
expedition_retirement: (European Union)
After our visit to the Ancient Theater on our first visit to Taormina, we took some time to figure out some of the logistics for when we returned on our own in a couple of days. Once we scoped out our accommodations and the meeting point for our VBT itinerary, we began to explore the town a little. For the most part, we stayed on the main pedestrian street through the center of the town, taking in the sights. The entire town is built on the side of the hill, so the side "streets" were mostly staircase alleys climbing up or down to the next parallel street.
The Duomo of Taormina is a solid, Norman-style church, with a stone relief carving of the Last Supper on the altar. In the center of town, the Piazza IX Aprile looks out over the valley below, and marks the boundary between the Norman expansion of the town and the older section that predates the arrival of the Normans. The Church of San Giuseppe dominates the north side of the square.

When we returned on our own two days later, we had extra time to further explore the town. We discovered some of the old city walls, and the Roman Odeon. And we spent a little time in the Trevelyan Park, a charming green space on the cliff at the edge of town. There were interesting trees and flowers, a war memorial, and some interesting buildings that look positively whimsical. It was a refreshing, quiet spot, soothing after a couple of weeks of constantly being on the go.



expedition_retirement: (European Union)
The other place we visited twice on this trip was Taormina. Near the end of our OAT itinerary, our visit prominently featured a visit the the Ancient Theater of Taormina. Originally constructed by the Greeks in the third century BCE as a theater, it was later modified in the third century CE by the Romans, who removed the stage and the orchestra area turned into an arena for combat sports. This modification gives this site a unique history of hosting both Greek drama and Roman blood sport. It is oriented so that Mt. Etna is visible behind the stage, and some lucky spectators to modern concerts here have been able to see Etna erupting during the show.
For modern usage, the seating area removed by the Romans to create the arena space has been restored using modern bleachers, and a wooden stage has been installed roughly where the Greek stage would have been. The historical seating capacity of the theater is estimated to have been around 10,000 people.
expedition_retirement: (European Union)
I caught my first glimpse of Mt. Etna from our aircraft as we began our final descent into the Palermo airport. I happened to look at the flight map and noticed that we were passing by the volcano, so I opened my window shade to see if I could get a glimpse of it. I immediately pulled out my phone to snap some photos, because I definitely could see it, and it was emitting a cloud of ash that morning.
But that would be my last glimpse of the volcano for a couple of weeks. Even when we reach Catania, at the base of the mountain, the bulk of the volcano was shrouded in clouds, denying us clear views. However, we had a gorgeous day to visit Mt. Etna, with blue skies and only scattered clouds. We drove up onto the flank of the volcano for hour hike, which began with a walk through a birch forest. These are Etna Birch, which only grow here on the flanks of Mt. Etna and are specifically adapted to the conditions here. 
As we neared our destination, the trees thinned out and we began walking amid lava flows. We were in the area of the 1865 eruption. This was a flank eruption that opened a fissure here, giving rise to a string of cinder cones where the lava erupted from the fissure before flowing out and down the flank. These cones are very well defined, and it is easy to see how they were built up by the eruption, and how the lava flowed out of them to form a large flow through the forest. Even though the eruption occurred 170 years ago, new plant life is just beginning to take root on the lava flow, which is still readily identifiable.
We climbed up one of the cones and walked around its rim, taking in the vistas around us as we fought not to loose our hats to the wind. In the distance, we could see the shapes of older cones, covered with trees, and looking up the mountain we could see some more recent lava flows from the last few years.
Later, as we prepared to head south for the bicycle tour portion of our trip, we had one last clear look at the mountain. It was a completely clear morning, and Mt. Etna was sending us off with another plume of volcanic ash from the summit.
Mt. Etna is one of the most active volcanoes in the world, and has been designated as a UNESCO World Heritage Site. The people of Sicily have adapted to life on the mountain, and almost seem to take its behavior for granted. Most of the eruptions occur high up the mountain rarely last long enough to present any risk to populated areas. Even when a flank eruption occurs on the lower parts of the mountain, the lava flows are generally slow enough that people have more than enough time to evacuate the path in front of them. The biggest inconvenience are the disruptions at the airport in Catania, the busiest airport in Sicily. While we were there, airport operations were interrupted or shut down for all or parts of five days.
expedition_retirement: (European Union)
 Near the end of our OAT itinerary, our trip leader arranged for us to sit down with a local musician to learn about some of the traditional musical instruments and the songs played on them. Our presenter is an amateur, and enthusiast who uses his free time to travel to the remotest parts of the island to find shepherds, farmers, or villagers who still make and use traditional instruments, and he sits with them to learn about their instruments and to learn the songs they play. He is fighting an uphill battle to preserve traditional music that is rapidly disappearing as young people absorb their music from broadcast and internet media sources and loose interest in the traditional music of earlier generations.

He brought along a surprisingly large selection of instruments, and he played something on each of them. Some of these instruments are so rare that there are literally only a handful of people left who know how to make and play them. His ability to learn to play so many different instruments is remarkable, as his ability to learn all the different traditional music to go along with them.
He struggles to find appreciative audiences, even among Sicilians, who have grown accustomed to the stereotypical types of music played for the tourists. He often plays for groups who respond with comments along the lines of "That's great, but when are you going to play some Sicilian music?", which is especially tragic coming from the mouths of Sicilians, who have lost touch with some of their traditions.

It was a pleasant afternoon hour, sitting outdoors at a cafe, listening to him play and asking him questions about his work and the music. The world needs more people like him, who are passionate enough about preserving traditional culture to invest their own time and effort into preserving it.
expedition_retirement: (European Union)
In the Odyssey, Homer describes the cyclops Polyphemus hurling boulders after Odysseus and his crew as they sailed away. According to tradition, these boulders now sit just off shore at the present day town of Aci Trezza. Our hotel for the final two nights of the OAT tour were located on the water, with a spectacular view of these sea stacks, which are actually volcanic formations that are estimated to be 500,000 years old.

The previous day, while we were in Siracusa, we were supposed to have a boat ride around Ortigia as part of our itinerary. However, our visit to Siracusa that day ended in a thunderstorm with heavy rain and very close lightning strikes, so, clearly, the boat ride was canceled. Our trip leader decided to make it up to us by adding a different boat ride along the shore at Aci Trezza.

Our boat departed from the harbor at Aci Trezza and sailed out around the sea stacks, which sit inside a Marine Protected Area. We got to see these islets from almost every angle over the course of our sailing. We also sailed a little ways down the shore to see the Norman castle on the cliffs above Aci Castello before circling back between the islets and shore to complete our loop at the harbor.
These formations are impressive in scale, and surprisingly close to shore. It is not difficult to see how they could have come to feature so prominently in Homer's saga. In a sense, we were following in the path of the Odyssey.
expedition_retirement: (European Union)
Catania is another of the Sicilian cities that was destroyed by the 1693 earthquake and rebuilt in Late Baroque style, and it is also included in the UNESCO World Heritage Site designated for these cities. Here, the earthquake killed almost 2/3 of the population. This disaster came just 24 years after the city was threatened by a lava flow from Mt. Etna. Clearly, this is a city with an intimate history of the forces of nature.

We began our walking tour of the central part of the city at the ruins of the Roman amphitheater. These are only partially excavated, and the remainder of the ruins extends below ground under the buildings that line the square. Built with volcanic rock from Mt. Etna, its black color would have been quite distinctive.
From here, we walked down Via Etnea, the main pedestrian street through the city center, to the square in front of the cathedral. Along the way we noted the use of black and gray lava stone in the buildings of the city, giving the Baroque buildings here a different feel from those we had seen elsewhere, where the primary building material was limestone.

The Cathedral of St. Agatha is similarly constructed, Late Baroque in style, using gray volcanic rock. The result is actually quite attractive, and the church is large and dominates the square.
Also in this square is a distinctive landmark of the city. The Fontana dell'Elefante (Elephant Fountain) incorporates a Roman sculpture of an elephant that survived the 1693 earthquake, combined with a granite obelisk. The elephant has become a symbol of the city and is on the city crest.
Our walking tour ended in the Pescheria di Catania. This area used to be the fresh fish market for the city, but is now lined with restaurants, and shaded by an array of colorful umbrellas. After our local tour guide departed, we settled into one of the restaurants for our lunch.
After lunch, we had some free time to explore on our own. We wandered the streets in the area, checking out the architecture and window shopping in the many shops that lined the streets. We also briefly visited a flea market in a nearby park. Along the way we found some more lovely Baroque churches.
expedition_retirement: (European Union)
While it wasn't a strong emphasis on this trip, there was evidence of World War II scattered throughout the island. In Palermo, we saw areas of the city where damage from Allied bombings was still evident more than eighty years after the island was liberated. And as we rode bikes in the countryside in the southeast corner of the island, we rode past bunkers built to defend the island from Allied invasion.
We also heard how the US Army used contacts with the mafia to assist their efforts to cross the center of the island towards Palermo in the race to encircle and trap the fascist troops on the island before they could escape across the Straits of Messina to the mainland of Italy.

But what really brought these events into focus was our visit to the Historical Museum of the Landing in Sicily 1943, in Catania. While the primary focus of this museum is the liberation of Sicily from the fascists in 1943, it does place this invasion in the broader context of the larger campaign for Italy and the overall war in Europe. The exhibit begins with a facsimile of a Sicilian town square from the 1930s or 1940s. The buildings are decorated with the banners of Mussolini's fascist regime, and there are notices posted on the walls about the war effort. From here, we moved into a simulated air raid shelter, where we listen to the sounds of a bombing raid, feeling the vibrations from the bombs exploding. Finally, after the all clear sounds, we emerge to survey the damage to the square.

This is a pretty visceral introduction, intended to evoke an emotional response to terrible tragedy that results from war, before we enter into the rest of the museum, which presents artifacts and summaries of the combat and troop movements on the island during Operation Husky, the slightly longer than one month long campaign to liberate the island. We learn about the plan to trap the fascist troops in a vast pincher maneuver, with the American army under General Patton sweeping north to Palermo before turning east to Messina, while the British and Canadian troops under General Montgomery were to push north along the eastern coast, taking Siracusa and Catania before meeting the Americans in Messina. The goal was to cut off the escape route across the Straits of Messina, taking the trapped forces prisoner, thereby removing them from the war and reducing the resources available to the Axis for the defense of the Italian mainland. Unfortunately, the Allies were not able to execute the plan quickly enough, and the bulk of the Axis forces were able to evacuate the island.

The final part of our visit was a presentation about the efforts of the museum to build a searchable database with the names and records of American soldiers who served in Sicily during Operation Husky. This is an ongoing project, funded, in part, by donations made through the Grand Circle Foundation, which has already helped the museum install QR codes on most of the exhibits to provide visitors with English translations of the displays.

War museums, especially good ones (and this was a good one), are sobering reminders of the human costs of war. They serve as a reminder of the sacrifices made in previous conflicts and warnings that the prospects of going to war are not to be taken lightly, without exhaustive efforts to resolve conflict through other channels.
expedition_retirement: (European Union)
There would only be two places we would visit twice during our three week stay in Sicily. The city of Siracusa was one of them. Greek colonists from the city of Corinth settled here in the 8th Century BCE, founding what would become one of the most important Greek cities outside of Greece itself. The city is now listed as a UNESCO World Heritage Site.

Both of our visits were limited to the island of Ortigia, which was the ancient heart of the city. It was here that the original Greek colony was formed, and even after the city grew beyond the island, this remained the religious and political center of the city. The island helps shelter that large harbor, and forms a smaller natural harbor on the north side, making this an extremely strategic location for centuries.

Near the two main bridges that connect the island to the rest of the city are the ruins of the Greek temple to Apollo, which dates back to the 6th Century BCE. The ruins include remnants of the columns, and a portion of the wall of the interior structure, which include medieval modifications from when the temple was converted to a Christian church.
We also visited the Cathedral, which is one of the most architecturally unique churches I've ever visited. Originally the Greek temple to Athena, the church as it currently stands incorporates much of that temple. The original Greek columns are visible inside the church, the gaps between them filled in during later periods. The roof appears to date from the Norman period, while the front facade is an exquisite example of Late Baroque design. It is a remarkable place of worship, one that has been used for such purposes for almost 3,000 years.
Not far from the Cathedral is Archimedes Square, named for the famous Greek mathematician, physicist, engineer, and astronomer, who was born here. The centerpiece of this square is a 20th century fountain depicting the Goddess Diana and depicting elements of the myth of Aretusa, which is strongly linked to the island.
In fact, there is a fresh water spring near the harbor that is central to that myth. Here the nymph Aretusa, having been transformed into a stream by Artemis (Diana in the Roman canon) emerges from beneath the sea in her efforts to escape the affections of the god Alpheus. But myth aside, this spring was clearly an important element of the ancient city, providing a reliable fresh water supply for the population as the city grew.
Finally at the tip of the island is the Castello Maniace, a fortress built in the 13th Century to guard the city and the harbor.
expedition_retirement: (European Union)
One of the most visibly striking features of the countryside in Sicily are the stone walls. These carefully constructed walls are used to terrace hillsides and to mark boundaries and enclose pastures. We had seen similar structures in Puglia, during our tour there in 2019, but we never had an opportunity to learn more about them or how they are built and maintained. The techniques used for these walls are included on the UNESCO Intangible Cultural Heritage list.
The day after our Fiat 500 ride, we visited a farm in the nearby countryside. As we walked from the road to the farmhouse, we learned how the family not only uses the crops they grow, but also takes advantage of the wild bounty around them. This farm was another agriturismo, and much of what they produce is used to prepare meals for visitors.

After lunch, our host took us out to show us one of his projects. He is building a retaining wall to install a small, terraced garden near the house. He demonstrated how he cuts the rocks, using only hammers, and shapes them to fit into his growing wall. And this is the secret to these walls, which are built entirely without mortar. The walls are not constructed using stones of random shapes. Instead, the stones are carefully shaped for the spot where they will fit into the wall, to minimize gaps and to ensure that the stone sits securely in place. These walls are also thicker at the bottom, so that the outside rows of stones lean towards each other, for mutual support. The wall is traditionally topped with a rounded rock to provide a smoother, more finished look. The construction of these walls requires a considerable amount of physical labor, which makes the landscape, with its seemingly endless stone walls all the more impressive to contemplate.
expedition_retirement: (European Union)
Modica is another city that is included in the UNESCO World Heritage Site listing for its Late Baroque architecture. Like the other cities, Modica was largely destroyed in the 1693 earthquake, and the city we see today is the result of the rebuilding efforts following that disaster. Our first glimpse of the city was from the scenic overlook where we began our Fiat 500 ride. From here we had a panoramic view of the city with the sun at our backs. The Duomo of St. George features prominently in the middle of the city.
The Duomo would be our first stop on our Fiat 500 ride. Fronted by an enormous staircase, this is Modica's cathedral, with an impressive Baroque facade and an exquisite interior. We had time to visit the cathedral and take some photos before we continued our ride through the city.
Our second stop was at the top of the hill on the other side of the valley. From here, we had a very different perspective over the city. We took in the views, listening to the nearby church bells ring, then made our way back to our cars to finish our ride.
Our ride finished in the heart of the city, in front of the Collegiate Church of Santa Maria di Betlem. Here we said our goodbyes to our drivers, and made our way through the city on foot. We walked in front of the Duomo of San Pietro Apostolo, with its red-ish stone facade, and another impressive set of stairs leading up to the entrance.
Before reaching the restaurant where we would have dinner, we made another stop at a shop to sample some of Modica's distinctive chocolate. The chocolate here is made using old recipes and techniques brought by the Spanish, and are included on the REIS: Sicilian Register of Intangible Heritage. The chocolate here typically has at least 70% cocoa, and no dairy. Because of how it is processed, the sugar does not fully dissolve, giving the chocolate a characteristic grainy feel. We were able to sample a number of different flavors, and many of us purchased chocolate to bring home.
expedition_retirement: (European Union)
When I learned that our itinerary included a ride in a classic Fiat 500 in Modica, I must admit that I wasn't particularly impressed. The Fiat 500 is not my idea of a sexy car (I mean, is it *anybody's* idea of a sexy car?). These are tiny cars, with little engines, built to be affordable cars to drive in cities. I figured it would be interesting, but didn't expect it to be a highlight of the trip. Boy, was I wrong.

What I forgot to factor into this equation was the setting. Modica is another Late Baroque city in the Val di Noto, not far from Ragusa. Like Ragusa, Modica is built on a hilside (actually, two hillsides, the opposite sides of a steep, narrow valley), and it is full of narrow alleys with tight turns. In other words, the perfect place for a tiny car like the Fiat 500.

The cars and drivers were members of the Associazione FIAT 500 Modican Club, a club for owners of classic Fiat 500s, and they were waiting for us at a scenic overlook above Modica. In preparation for the ride, we each had to sign a membership form and were issued temporary membership cards for the club. We were then split up, two riders per driver and climbed into (although in my case it was more like folded myself into) our Fiats. Once everyone was settled in, we set off for our ride.
We drove down from the overlook into the town. After a short stop to visit the Cathedral, we continued up the hillside on the other side of the valley. We stopped to take in the view of the town from this side before returning to our cars for the final leg. And this is where things got fun. Our drivers got off of the larger streets and wove their way down to the valley floor using a series of extremely narrow streets, often with very tight turns. In one case, the turn was too tight for the cars to negotiate, so we had to take turns going past the turn, turning around, and then proceeding the other way. At another turn, each car had to do a three-point turn to get around the corner.
Overall, the entire ride was around an hour, and at the end, our drivers dropped us in the heart of the city, where we would spend the rest of the evening, before returning to our hotel in Ragusa. It was far more fun than I had expected it to be, and because it was such a unique experience, it ended up being one of many highlights from the trip.

expedition_retirement: (European Union)
After our local tour guide bade us farewell, our trip leader took us down a side alley to a non-descript door. I was utterly unprepared for what was on the other side of that door. I'm not quite sure what to call it. Is it a home? or a museum? Perhaps a bit of both. This collection is clearly the work of a lifetime, and the owner Salvatore Appiano clearly takes pride in it. There is furniture in a variety of styles, paintings, musical instruments, dinner tables set with silver and china, period clothing, and so very much more. As we worked our way through the space, everywhere we looked there were new items to discover. And when you thought you were done, you would turn the corner and there was another new room full of more to behold.
But the highlight of the visit was the five or ten minutes we spent in the sitting room listening to Mr. Appiano play for us on his piano. It was a moment to relax and just soak in the atmosphere of the place. It was over too soon, and it was time to move along. But it was a memorable place to visit.

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Expedition: Retirement

October 2026

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